KING OV WYRMS Unleash The Second Chapter of Black Metal Domination With “In Aeons We Spoke”; New Album “The Womb Ov Borealis” Out Oct 2023

NEWS RELEASE

Montreal, QC – August 16, 2023

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King Ov Wyrms Unleash The Second Chapter of Black Metal Domination With “In Aeons We Spoke”

New Album “The Womb Ov Borealis” Out October 2023

L-R – Michael Oneirous Sanchez – Vocals, Guitars, Bass (Studio) – Ricky Williams – Drums

The hot winds of Tuscon, USA carry the cold and relentless black metal of King Ov Wyrms to eager metal heads around the world who are ready to dive into the latest album “The Womb Ov Borealis”, which takes listeners into new depths of the death and black metal realms. This is their second release, following 2020’s “Lord Ov Thrones” and the band cites that it is a step away, taking no inspiration from anything else and blindly embracing their creativity, forging their own identity and seeing where it takes them. This new look at the band first comes with the single “In Aeons We Spoke” which the band comments on:

“In Aeons is essentially the title track for us, it’s by far the biggest embodiment of the album and a great entryway into what’s about to come. The track starts out with the haunting bellowing sounds of otherworldly entities while we creep in with our instruments to set the stage for the horror we are trying to bring forth. It’s definitely the “attention grabber” of the album, and the instruments going in full force lets you know what this album is gonna give you straight from the beginning.”

King Ov Wyrms decided to take a chance this time around and make a music video actually featuring them performing the song even though they are primarily a studio project without a performing lineup. The band wanted the physical presence of guitarist/vocalist Oneirous and drummer Ricky Williams ushering in their new form. They have rebirthed themselves in the fires of chaos and come out even stronger than before with new drive and fervour.

Extreme and dark, “In Aeons We Spoke” is a massive step forward for the band, who have taken on a more diverse writing style and approach to the material. They almost have taken a more progressive approach to the material while staying close to their death and black metal roots. The video is available now via its premiere on SlamWorldwide at https://youtu.be/dZQ36xGDi-k

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Recommended for fans of Belphegor, Vader, and Morbid Angel, King Ov Wyrms’ sophomore album “The Womb Ov Borealis” is due out on October 6, 2023, and is available for pre-order at https://kingovwyrms.bandcamp.com.

Track Listing:​
1. In Aeons We Spoke – 08:21
2. Grave Ov Birth – 04:08
3. Sulphur – 06:56
4. Desolation Fog – 08:32
5. To March From Darkness – 06:01
6. Illusory Veil – 08:52
7. Sightless Vision – 05:30
8. What Time Has Wrought – 13:43
Album Length: 1:02:20

King Ov Wyrms – The Womb Ov Borealis – Recording Line Up:​
Michael Oneirous Sanchez – Vocals, Guitars, Bass (Studio)
Ricky Williams – Drums
Derrek Page – Session Bassist on tracks 3. 4, and 5

For more info: Facebook.com/KingOvWyrms | Instagram.com/oneirous_oss | Spotify​

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“Fury does indeed radiate from the music in violent waves. The song (Thorne Bearer) takes flight through rapid-fire drum battery and deep, dismal, heaving tremolo’d riffing that climbs and flares in manifestations of madness and misery, and squalls in blasts of vicious, mauling cruelty. Sanchez contributes his own vocals to the melee, venting horrid growls and scorching screams, which add to the music’s enraged and ferocious striking power. The song’s urgent pace never relents, but the drum patterns morph, as do the riffs, which feverishly squirm and flail as well as jolt and jar in savage, pulsing fashion. The jet-fueled energy and barbarous intensity of the music are both intense and captivating, and they’re joined in the red zone by sensations of rage and maniacal menace.” – No Clean Singing

“some beautiful, new extremity from King Ov Wyrms! Be on the lookout for their forthcoming album “Lord Ov Thornes”” – The Circle Pit

“King Ov Wyrms provide an unrelenting onslaught of classic death/black metal that should appeal to fans of Morbid Angel, Bloodbath, and Vader.” – Lambgoat

“Some pretty savage blackened death metal here. Lord ov Thornes is one of those albums that starts at full speed and doesn’t slow down much, if at all. Take 51 minutes of that and call me in the morning… If you’re at all a fan of very fast and heavy black and death metal and have been looking for a new band that does it well, King of Wyrms just delivered the goods for you.” – The Metal Crypt

“Lord Ov Thornes is a sickening effort that blazes with satanic and ritualistic power. Marvel in horror at what is crafted here, beginning with the unforgiving Threnody and the sheer brutality of The Great Sleeper. Within the first two tracks, it’s abundantly clear what we have here is something dredged from a well situated in hell.” – Games, Brrraaains & A Head-Banging Life

“Lord Ov Thornes”, the debut album by KING OV WYRMS, a worthy contender in the late year heralding the cold and darkness that is coming for us. The man has left nothing to chance, electing to fill every position himself on both sides of the studio glass, and the end result is a consistent and thought-out fifty-one minutes of solid metal.” – Metal Temple

“it deserves a place on your playlist if you like your music heavy, malevolent and underpinned by Lovecraftian themes.” – Scream Blast Repeat

“King Ov Wyrms is blasting brutal death loaded with lots of black metal riffs and dual growl/shriek vocals, with a death/brutal production. Press “play” and watch this thing launch into linear relentless attacks of brutality over and over for the duration. It is almost totally nonstop blasting, energetic, superfast extremity only for the true love-it-all fanatics.” – Metal Bulletin

“King Ov Wyrms sees Sanchez present a straightforward, ruthless, rampaging festival of hard hitting, heavy riffs encased in a thick, apocalyptic atmosphere. Embodying the spirit of the classic late eighties and early nineties acts with a new, modern aggression… From the album’s cataclysmic opening with ‘Threnody’ to its closing dissonant chord found in ‘Ascendance Of A Continual One’ which echoes into the back void, this is a straightforward blackened death metal album that is out to take the scene by the throat.” – Noizze UK

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