NEWS RELEASE
Montreal, QC – February 25, 2021
For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection
Streaming Now! Plague Weaver’s New Album “Ascendant Blasphemy”
Album Stream Premiere via Decibel Magazine
New Album “Ascendant Blasphemy” Out Feb 26th, 2021
Melded together in the vein of classic black metal, but giving nods to other genres including death, grind and doom, Toronto’s Plague Weaver has been honing their craft delicately since they started out in 2018. Beginning with an excellent atmosphere, and budding riff ideas on the self-titled EP, then taking a big leap in 2020 with “Through The Sulphur Eyes” with a doomy traditional black metal style. Now in 2021, with their first full length “Ascendant Blasphemy”, they have created three leaping bounds between releases, in both the music and the production. The band talks about the album:
“We take influence from a wide spectrum of genres. Black metal is definitely not the limit – we also look to death, grind, doom, and heavy metal, along with a plethora of non-metal genres. The only real common denominator is whether or not we like it! You can hear a huge death/grind influence in JC’s ‘black metal’ vocals, while RM’s riffing style is much more reminiscent of 1st wave black metal, especially Greek bands.”
“Ascendant Blasphemy” contains a lot of musical variety across the album, and still enough consistency to hold everything together, overall it is a pretty cold journey from start to finish. The album’s tracks are quite diverse in terms of tempo, and sonic tone. There are equal parts mid and fast-paced tracks, with a couple of slow, doomy ones near the end, to help bring everything to a close. This album confidently pulls the listener in a few choice directions. With confident composition, the instrumentals lay a framework for powerful, diverse, and seemingly uncontrolled vocals. The riff-driven style is bound to attract some death metal listeners in addition to BM heads looking for something grim to bang their heads to.
Fans can expect some of the novelty of any good black metal show with Plague Weaver. With the exception of the corpse paint, they check most of the boxes for any black metal favourite, with a few added flavours of our own. They are recommended for fans of (old) Samael, Varathron, and Watain.
The entirety of “Ascendant Blasphemy” will be revealed on February 26, 2021, and before it officially drops, Plague Weaver has teamed up with Decibel Magazine for its full stream premiere HERE.
Album pre-order via PlagueWeaver.bandcamp.com.
Lyric Video – “Nothing Is Sacred” – YouTube
Lyric Video – “Deicidal Usurper” – YouTube
Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12
More Info:
Facebook.com/plagueweaver
Instagram.com/plagueweaverband
Twitter.com/plagueweaver
EPK
About:
Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.
Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.
“Ascendant Blasphemy” is due out February 26, 2021.
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“Plague Weaver’s new single, “Nothing Is Sacred”, comes from the band’s upcoming release Ascendant Blasphemy. If there is any better song to help capture the feeling that everyone around the world has had through 2020, this is it. “Nothing Is Sacred” is a slow burn of death-doom, slow, grudging instrumentals entwined with harsh, raw black metal growls.” – Metal Injection
“Musically, the song (Deicidal Usurper) we’re presenting today changes course as if leading us through a cilling ancient labyrinth strewn with bones. After a somber, classically inspired piano overture, the music ignites in a storm of thundering drums, hurtling bass notes, and feverish riffing that creates a conjunction of menace and madness. In the midst of this marauding assault, a hellish choir lifts its harrowing, unhinged voices in a union of blood-curdling screams and voracious roars and howls. There are points at which the music turns corners, slowing in its grim assaults. In the first of those, the bass murmurs and eerie arpeggios ring out as a prelude to a kind of chilling, bone-shaking march. At the next, a serpentine guitar solo slithers from the darkness, creating an occult and hallucinatory vision in which misery dwells. And at the end, a harpsichord instrumental weaves a concluding mysterious spell.” – No Clean Singing
“Ascendant Blasphemy is a solid album for fans of largely mid-paced, compositionally adventurous black metal. It shows a lot of growth and maturity from the previous EPs and is well worth a listen.” – Metal Observer
“Ascendant Blasphemy is an exercise in churning Doom riffs mixed with blasting tremolo picking to establish a thick, sulphurous atmosphere of desolation and dread that’s not too far removed from a mix of Runemagick and Culted if you added in the occasional blast beat… Vocalist JC is also a real find, not only because his growls and snarls are venomous and spiteful, but also because he multitracks himself and writes the vocal lines for each track slightly out of sync with each other, which makes him sound like a chorus of hatred and despair that really stands out as a highlight of the album. If you’re looking for Black/Doom that’s as good as it gets, then start the year off right with this dragging nightmare of a debut.” – The Metal Crypt
“The songs have an epic and atmospheric character and despite its modernity, Ascendant Blasphemy will appeal easily to the orthodox Black metal fans.” – Jupiter Variations
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