Montreal’s CELL PRESS Presents Their Punky Dystopian Video “Original Uranium Baby” Off New Album “Cages” Out March 2024

Montreal’s CELL PRESS Presents Their Punky Dystopian Video “Original Uranium Baby” Off New Album “Cages” Out March 2024

NEWS RELEASE

Montreal, QC – February 16, 2024

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Montreal’s CELL PRESS Presents Their Punky Dystopian Video “Original Uranium Baby”

New Album “Cages” Out March 2024

Canada’s Cell Press took its name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in their music: on the surface, it’s raw and punishing, but there are complexities and nuances revealed once the surface noise has been embraced. The potent concoction of hardcore, sludge, punk, and metal is fully unleashed with their first full-length “Cages”, being released this coming March 2024. Leading up to the release, they are now dropping a video for the single “Original Uranium Baby”, a dystopian tale set in the town of Elliot Lake, Ontario in the year 2088, which vocalist/guitarist Sean Arsenian comments on:

“The first half of the tune was resurrected from a defunct dirty punk/noise-rock project that I was in prior to Cell Press. It’s catchy and has some swagger, but we took those riffs and threw them into the “human misery machine” and they came out the other side the way they sound as the 2nd half of the tune… a sludgier, coiling sewer-pipe runoff extrusion of the initial ideas… McGee’s drumming mutates into a really cool syncopated jazz swing meets primal caveman rage thing, and PQ is serving David Yow by way of Jacob Bannon on top of it all. This song has hooks, pummel, AND a bit of a sophisticated groove to it.”

The video can be seen and heard via its premiere on NoCleanSinging HERE.

According to the band, “Cages” jumps all over the place thematically from demanding clean drinking water for the people in the northern communities in Canada, to dystopian fiction in which the radioactive bones of the dead are used as currency, to address the current state of “truth” and what we consume as information on a daily basis and how it has been dividing society to the point that it is almost reminiscent of a holy war with men and political affiliations taking the place of gods.

Cell Press’ writing process is always collaborative – most of the songs start off in the form of a riff or riffs that guitar/bassist/vocals Sean Arsenian brings to the band. Sometimes Mark McGee will bring a drum idea, either a beat or a fill, to rehearsal and Arsenian writes a riff to that. The odd time a full structure of a song is presented to the rest of the band. The lyrics/vocals are always the last element of the song to be added. The music definitely affects the lyrical content. PQ’s lyrics are written drawing inspiration from the feeling of the song. For fans of anything catchy, fast, and wild, Cell Press is most recommended for fans of Unsane, Keelhaul, and Burnt By The Sun.

“Cages” is due out on March 8, 2024, via The Ghost Is Clear Records (Vinyl), Ancient Temple Recordings (Vinyl), and No List Records (Cassette) at https://linktr.ee/cellpress and http://cellpress.bandcamp.com.

Previous Single:

Lyric Video – “Things They Do In France” – https://youtu.be/opQ8McgUrQE​

Track Listing:​
1. Adult Baptisms (3:12)
2. Kissed by a Morose on Mont Royal (3:14)
3. Original Uranium Baby (2:48)
4. Dark Side of the North (4:02)
5. JOI to the World (4:01)
6. Disco Naps on the Devil’s Bedpost – (4:08)
7. Blue Royale – (3:31)
8. Recoil (A Collective Behaviour of Violence) – (3:51)
9. Things They Do in France – (4:35)
Album Length: 33:22

More info: Facebook.com/cellpressmtl | Instagram.com/celllpresss | Twitter.com/celllpresss​

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What the press has said about Cell Press’ 2020 Self-Titled EP:

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP. I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“a perfect showcase of their unique sound and style and leaves you wanting to hear more from the band. Their total disregard for the limitations of genres and boundaries results in the EP blending noise, grindcore, sludge, punk, groove and dark ambient among other influences. They perfectly blend raw aggression with groove and melody and aren’t afraid to shift gears to play with ambience and noise.” – Cave Dweller Music

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice


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