ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

NEWS RELEASE

Montreal, QC – May 25, 2023

 

ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

Behold Ethereal Void, a trinity of death metal musicians whose music emanates from the shadows of Ontario, Canada. Infused with groove and progressive elements, their rhythmic dirges speak of the void beyond time and space, a place of emptiness and desolation. Forged in that void, their music embodies the hopelessness of existence, reminding us of the futility of our struggles. Their third album “Gods of a Dead World” is now ready to be shown the light of day and they invite you to indulge in the album stream. They comment:

“This album is definitely our most consistent offering to date. We refined the sound both in writing and production while maintaining a unique angle for every song. The biggest stand-out is the introduction of orchestral elements to the sound. It feels like a long time coming, at least from my perspective. The album is much more refined musically as well. While we generally keep to the traditional EV themes, There is a constant-running sub-theme of the futility and violence of warfare.”

Throughout the album, Ethereal Void takes up through moments of tension, traditional death metal, instrumental interludes, relentless riffs, and anxious melodies. They cover bleak and harsh topics such as war, suicide, a dying planet, and the worship of entropy. The organic conjuring of the album is initially created by Terci Ruina creates, further embellished by Nemesis, and completed by “Voiicide” who also produced, mixed, and mastered it.

“Gods of a Dead World” is raw, visceral, and primitive. The groove-based death metal darkness within is recommended for fans of Gojira, Septic Flesh, and The Design Abstract.

Listen to it in full via its album stream premiere on Bravewords HERE.

​“Gods of a Dead World” is due out May 26, 2023, via Abstrakted Records.

Album pre-order – https://design.bandcamp.com/album/gods-of-a-dead-world​

Lyric Video – Seeds of Hatred – https://youtu.be/ZN2wTUjij8c​

Track Listing:​
1. Overture to Annihilation (1:35)
2. The Voiceless (2:59)
3. Seeds of Hatred (3:44)
4. The Art of Ruination (2:48)
5. Psychosomatic Suicide (2:59)
6. Decay (Interlude) (0:46)
7. Return to the Void (3:34)
8. The Brown Stone Spire (2:32)
9. Gods of a Dead World (5:49)
Album Length: 26:50

For more info: Facebook.com/EtherealVoid​

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““The Voiceless” is a rushing charge. It gets the listener’s pulse pumping because the song itself has such a mad pulse. Many of them actually, from the fast jolts in the fuzzed-out riffage to the die-stamp hammering of the snare and the jackhammer impact of the bass. And it does sound like a mad pulse, thanks to the swarms of frantic tremelo’ed fretwork, the relentless double-bass strafing, and the ugly ravenous growls. While the head-hooking energy of those assaulting ingredients never really lets go, the music does also move sideways. Eerie spectral tones ring out, creating an overlay of melancholy. The music even seems to elevate in wailing splendor, as a prelude to a sorcerous guitar solo that sounds both inviting and yearning, both enticing in its glimmering tones and downcast in its mood. Even the unhinged screams of the vocalist almost sound like singing (almost).” – No Clean Singing

“A compact and concise release, Gods of a Dead World comes in at around 26-minutes long and features a number of sharp and savage pieces of music. Kicking off with a frantic showcase of guitar screams and squeals, with the chunky familiarity of death metal heaviness, Overture to Annihilation gets in, smashes stuff up, and gets out.” – Games Brrraaains & A Head-Banging Life​
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​“or a Death Metal cut “Overture to Annihilation” is a real eye opener, blood soaked in cinematic orchestration and virtuoso lead guitars, the barked vocals having that story telling quality to them. That flows nicely into “The Voiceless“, which introduces the lyrical themes and creatures with Voiicide playing both victim and killer as vocals come from alternate angles with a vocal tweak. It works incredibly well, the riffs flowing freely with chugging aggression, the leads bright and vibrant against the darkness. The way the cuts have been put together has been well thought through, the segway into “Seeds of Hatred” barely noticeable as the flow continues like an orchestral piece but there is also enough of shift to identify the track as being separate.” – Metal Noise​
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