Austin Meade’s songs and stories are contradictory yet cohesive. On his Snakefarm Records debut, Black Sheep, his influences —musical and otherwise— are as varied and rich as the small-town Texas soil that nurtured his talent and yielded these 12 stellar songs ranging from multi-layered musicality and storytelling to dark alt-pop to new age and Sabbath-inspired. Thanks to his metal-and classic-rock loving dad, Meade got to see bands like Judas Priest and worshipped Whitesnake. In junior high, he related to the intense emo-rock of Paramore and Fall Out Boy, as well as the power of songwriters like John Mayer. Yet, thanks to plainspoken but deep heartland songwriters like Tom Petty, and cutting his teeth touring in the Texas and Oklahoma Red Dirt scene, Meade’s music overflows with wide-open soulfulness. He was a drummer for years, even teaching to pay the bill. Meade eventually found his true voice when he began playing guitar as a teen in his pastor father’s church. Those experiences lend both a gravitas and rebelliousness to Meade’s songs and self.
