INTERNAL BLEEDING Declares 2026 Tour Dates Including Northeast US Run, Co-Headlining UK/IE Tour With Party Cannon, EU Festivals; Seventh Album, Settle All Scores, Out Now On Maggot Stomp

photo by Paul McNeill

INTERNAL BLEEDING, having just days ago stormed the Northeastern US on their three-day release weekend for their merciless new Settle All Scores LP, today announces a run of international tour dates for the first half of the new year.

From March 13th through 15th, INTERNAL BLEEDING will hit the Northeast US once again, playing Albany, Harrisburg, and Baltimore with support from Brick By Brick.

Just announced today, from April 23rd through May 1st, INTERNAL BLEEDING will co-headline across the UK and Ireland with Party Cannon on the UK/IE Vomitour 2026 â True Slam Edition, with shows in Newcastle, Glasgow, Dublin, Manchester, Leeds, Nottingham, Exeter, Cardiff, Birmingham, and Southampton, followed by a set at Incineration Festival in London on May 2nd alongside Hypocrisy, Vreid, Tomb Mold, Blood Fire Death, Dragged Into Sunlight, and more.

INTERNAL BLEEDING will head back across the Atlantic in August to play Death Feast Open Air in Germany. Find tickets HERE and watch for additional dates to be posted shortly.

INTERNAL BLEEDING Tour Dates:
3/13/2026 Empire Live âÂ Albany, NY #
3/14/2026 Capital Music Hall â Harrisburg, PA #
3/15/2026 Metro Baltimore â Baltimore, MD #
4/22/2026 The Grove â Newcastle, UK *
4/23/2026 Slay â Glasgow, UK *
4/24/2026 GrandÂ Social â Dublin, IE *
4/25/2029 Rebellion â Manchester, UK *
4/26/2026 Key Club â Leeds, UK *
4/27/2026 Rescue Rooms â Nottingham, UK *
4/28/2026 Phoenix â Exeter, UK *
4/29/2026 Clwb Ifor Bach â Cardiff, UK *
4/30/2026 Asylum â Birmingham, UK *
5/01/2026 Papillon â, Southampton, UK *
5/02/2026 Incineration Festival â London, UK
8/20-22/2026 Death Feast Open Air â Andernach, DE

= w/ Brick By Brick

= UK/IE Vomitour 2026 â True Slam Edition w/ Party Cannon

For over thirty years, Long Island, New Yorkâs undisputed kings of slam, INTERNAL BLEEDING, have been stabbed in the back, suffered through terrible tragedies, and experienced frustrating setbacks, yet, they have not let these challenges define them. The pent-up anger, frustration, and feelings of betrayal of the past three decades have been crystalized and synthesized into their seventh album, Settle All Scores. INTERNAL BLEEDING bulldozes everything in its path on these eight new tracks which are focused on those who have done the band wrong. It is a testament to the bandâs resilience and strength in adversity. Prepare yourself; Settle All Scores is the most aggressive, slam-filled INTERNAL BLEEDING album to date.

Produced by INTERNAL BLEEDING, re-amped and mixed by Taylor Young at The Pit Studio in Sunland, California (Nails, Xibalba, Godâs Hate), and mastered by Brad Boatright at Audiosiege (Obituary, Creeping Death, Vastum), the production on Settle All Scores is simply decimating. The album is completed with cover art by Mark Richards (Heavy Hand Illustration, Tomb Gallery & Tattoo) and photography by Paul McNeill. Additionally, guest vocals are provided by Sherwood Webber of Skinless, Mikey Petroski of Never Ending Game, and former INTERNAL BLEEDING vocalists Joe Marchese, Jay Lowe, and Frank Rini.

INTERNAL BLEEDINGâs Settle All Scores is out now on LP, CD, MC, and digitally through Maggot Stomp HERE.

âAs one of the widely recognized early founders of slam, it would be a suckerâs move to believe Settle All Scores was going to abandon the thing INTERNAL BLEEDING have built a career on.â â Decibel Magazine

âFueled by a sincere sense of get-back, INTERNAL BLEEDINGâs sonic brutality thrives with a chip on its shoulder resulting in eight caustic tracks of pure contempt actualized with burly riffs, pummeling percussive breakdowns and guttural growls that resonate as both cathartic and convincing. The continued fusion of hardcore DNA, metallic execution and hip-hop swagger that was once well ahead of the curve, is now evidence of the bandâs forward-thinking and continued commitment to their sound.â â Knotfest

âOne of the most gratifying aspects of the bandâs longevity has been the recent surge in popularity for the slam subgenreâa term INTERNAL BLEEDING was central in popularizing.â â New Noise Magazine

âIts sense of in-your-face real-life aggression, injected into powerful riffs with groove, is not something I have gotten from other death metal albums this year, which is a testament to the enduring quality of what INTERNAL BLEEDING do. They are not using their instruments to bring a horror movie to life, but tearing their hearts out to show you how real life is worse than anything conjured in Hollywood, making it a fitting soundtrack to life these days, and one of the best death metal albums of 2025.â â No Clean Singing

âTheir forthcoming seventh album, Settle All Scores, distills years of frustration and resilience into eight tracks of pure, bulldozing aggression, proving once again that INTERNAL BLEEDING thrives in adversity.â â No Echo

âItâs immediately apparent upon pressing âplayâ that the band considered leaving you with a few teeth left but ultimately decided âfuck that.â This is essentially the auditory equivalent of jumping on a rake. There are eight songs here, and a much more illustrative review than anything Iâm likely to manage with words alone would simply be smashing a shovel into your mouth about that many times. The album is truly, madly, deeply pissed offâ¦â â The Razorâs Edge

âSettle All Scores never breaks character from the tough as nails windmill puncher that it is for its half-hour duration but they’ve still found enough space to fit three or so decades of signature into it…â â Mystification Zine

âWith Settle All Scores, INTERNAL BLEEDING reclaims their throne as kings of groove-laden brutality. Itâs a record built for the stage, for the pit, and for anyone who misses when death metal had bravado. Three decades on, these veterans havenât mellowed, theyâve only gotten groovier.â â Metal Epidemic

âThe Long Island natives show why theyâre one of the best in the game. Settle All Scores showcases why New York death metal is superior.â â Technical Music Review