NEWS RELEASE
Montreal, QC – September 12, 2023
Cabrakaänâs Metal Documentary Takes A New Look At Their Mexican Folklore Genre And Its Cultural Implications
New Album âAztlánâ Out November 2023
Photo Credit – Angela Ambrose –Â Lunar Ring Sound & Graphics Inc.â
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Cabrakaän is a Mexican metal band that is now based in Calgary, Canada. They formed in 2011 and have made it their mission to infuse metal with traditional instruments and folky elements. This year they are releasing an album âAztlánâ and to complement it have produced a documentary further explaining their musical background and heritage. They share their thoughts on the video explanation:
âWe hope that it will be engaging to people who aren’t necessarily metal fans, who are interested in music and culture. A lot of the music is a blend between our previous releases and stem tracks from our upcoming release. We hope that this helps to tell our story and to get audiences interested in how our album will sound.â
The overall goal of the documentary is to showcase the band’s story to existing and new audiences. It’s about how they use music to hold on to their Mexican cultural roots while setting their foundation in a new country through storytelling in their music, incorporating folk themes, and collaborating with Canadians as they weave their cultures together. The film is presented in Spanish with English subtitles and features interviews with professional instrument makers and an anthropologist.
Watch the documentary at the following link:Â https://youtu.be/K-qC2oY5xwU
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In addition to the documentary, this past August, Cabrakaän released its music video for the first single âMictlánâ (pronounced mickt-lahn) off their forthcoming album âAztlánâ. The track details the nine levels of the underworld in Aztec mythology through which the dead must overcome a series of challenges before reaching their final resting place. Musically, âMictlánâ features nylon string instruments to emulate the sound of a vihuela (Spanish guitar), hompak (Mayan trumpet), and orchestral arrangements. The band explains more:
âThrough haunting melodies and thunderous rhythms, âMictlánâ delves into the depths of Mictlán, painting a sonic landscape that takes listeners on a journey through the nine levels of the Aztec underworld. With its powerful and energetic sound, the song captures the essence of Mictlán, enveloping the audience in an otherworldly experience. Mictlán is a concept that is still relevant today in understanding the meaning of our lives. The song contains the musical elements that make Cabrakaän who they are: a fusion of folkloric themes, orchestral arrangements, and, of course: heavy metal.â
Music Video – âMictlánâ at https://youtu.be/mPLYXJBGXGI
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Spotify –Â https://spoti.fi/3slVyT6
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Cabrakaänâs sound and style were initially influenced by popular metal acts like Nightwish, Amon Amarth, and European folk metal bands. Soon after, the band established a distinct sound, style, and ambition to tell the forgotten pre-hispanic folk stories, mythologies, histories, and traditions of Mexicoâs sociocultural past and present.
The lyrics and music on âAztlánâ are thematic and are heavily inspired by Mexican culture, history, and mythology. In the past, band founder and drummer Marko Cipäktli and vocalist Pat Cuikaniâs lyrics have engaged with Aztec and Mayan mythology. Lyrics from âAztlánâ will engage with a mix of themes related to the Spanish conquest and more mythological concepts. It is recommended for fans of Nightwish, Epica, and Equilibrium.
âAztlánâ is due out on November 17, 2023, and available for pre-order at https://cabrakaan.bandcamp.com/album/aztl-nâ
Track Listing:â
1. Tonantzin – 3:50
2. Fuego – 5:28
3. Tlaloc – 4:01
4. Luces y Sombras – 3:51
5. Malintzin – 5:16
6. Mictlán – 4:25
7. Yolot – 5:16
8. Xóchitl – 2:42
9. La Cigarra (featuring Reed Alton) – 5:31
10. Mictlán (English Version) – 4:25
11. Fuego (English Version) – 5:28
Album Length: 50:13
Album Credits:â
â Produced by Marko Cipäktli and Cody Anstey
â All songs mixed by Cody Anstey at Clarity Recording & Mixing (Osyron, Ravenous E.H., Wu-Tang Clan)
â All songs mastered by Mika Jussila at Finnvox Studios (Nightwish, Children of Bodom, Amorphis)
â All lyrics by Pat Cuikani & Marko Cipäktli
Album Band Line-up:â
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar, Rhythm Guitar
David Saldarriaga Tobón â Bass, Classical Guitar
Live Band Line-up:â
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar
Brendan Wilkinson, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar
For more info: Cabrakaan.com | Instagram.com/cabrakaan_band | Facebook.com/CABRAKAANâ
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“In the world of metal music, where genres often blend and boundaries are pushed, there emerges a band that beautifully merges traditional folk elements with the raw power of heavy metal. Enter Cabrakaän, a Mexican folk metal band on a mission to reconnect with their ancestral roots and preserve the rich cultural heritage of Mexico.” – Infrared Magazine
âCABRAKAÃN has released an amazing, fun, well-written album with influences from various folk styles aligned with Death Metal. Itâs definitely one of the best releases of the year in the style and the band deserves all the attention they are getting from the media and the public. 10/10â â Metal Temple (review 2019 â Cem Anahuac My Home)
âWhile the band may celebrate cultures that are unknown to most Canadian metal fans, Cipäktli says live performances by Cabrakaan are an immersive experience. The band, who wear face paint and costumes to conjure up the âtime of the Aztecs,â like to give audiences both a visual and sonic feast.â
-Calgary Herald: âSymphonic Metal Band Cabrakaän Brings Spirit Of Ancient Mexico To Calgaryâ
âThe use of traditional, lesser-known instruments that rarely leave Central/South America jamming along with metal instruments â in a way that would make Ozzy Osbourne in his prime proud â is the last thing Calgary expected to experience, and yet Cabrakaän is here.â
– Calgary Journal: âCabrakaän, Calgaryâs friendly neighbourhood Mexican folk metal fusion bandâ
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