VACUOUS Shares “Flesh Parade” Music Video; In His Blood Full-Length Out Now On Relapse Records + September EU/UK Live Dates Announced

Hailing from the withering depths of the UK, VACUOUS made their Relapse Records debut in February with their new album, In His Blood. Today the band is pleased to unveil a video for “Flesh Parade.” Shot during their two-week In His Blood UK tour throughout April, the showcases live performances and day-to-day tour life.

Watch VACUOUS’ “Flesh Parade” video HERE.

Watch VACUOUS’ previously released video for “In His Blood” HERE.

In His Blood is a compelling mix of blazing speeds, chilling atmospherics, and angular riffing that brings the band into their own unique space. “We’ve talked about having different influences, and it felt like a bit of a dare to push things further,” guitarist Michael Brodsky says. “Back in death metal’s formative days, with bands like Autopsy, Obituary, and Incantation, none of those bands sounded like each other: they were just pushing their collective influences together to the extreme. I think we’re still doing the same thing, just from the point of view of people who grew up in the 2000s.”

From the roaring, quick-fire intensity of the title track to the haunting atmospherics of “Hunger” and the cinematic rumbles of “Contraband,” with In His Blood, VACUOUS pushes the limits of what listeners might expect from death metal.

In His Blood is available on CD, LP, and digital formats. Find orders at Relapse.com HERE.

Additionally, VACUOUS has announced a trio of live dates this September: an appearance at Killtown Deathfest, Summer Dying Loud & opening for Portal in the band’s hometown of London!

VACUOUS Live:
9/04/2025 Killtown Deathfest – Copenhagen, DK
9/06/2025 Summer Dying Loud – Aleksandrow Loszki, PL
9/15/2025 The Underworld-  London, UK (Supporting Portal)

One look at the striking, blood-soaked cover art for VACUOUS’ second album In His Blood, and you know the London-based death metallers aren’t messing around. Examining ideas of violence and voyeurism, the album’s title was inspired by a disturbing image the band came across on social media.

“It was a picture of a man who had killed someone, just posing, standing in their blood,” says vocalist Jo Chen. “It got me thinking about how we consume images of death: it’s become so normalized.”

“The internet is like a graveyard of people’s trauma,” adds Brodsky. “Seeing all that does something to you as a person.”

VACUOUS focuses less on shock value and more on emotional response. And while they definitely see themselves as death metal, they prioritize atmosphere over genre in their music. “We come from different musical backgrounds,” says Brodsky, “but we all like music that’s dark, raw, and atmospheric; that has a bleak but honest feel to it.”

Brodsky and Chen formed VACUOUS at the end of 2019. They started as a trio but when the pandemic hit, they hunkered down to write and realized their ambitions demanded a bigger band. They’re now a five-piece, joined by Max Southall on drums, Ezra Harkin on guitars and Zak Mullard on bass. Their debut album, Dreams Of Dysphoria, came out in 2022, but it’s with their new, second album In His Blood that they’ve really hit their stride.

The album’s lyrics, penned by Chen, explore a number of topics including horror films, serial killers, school shootings, toxic masculinity, and the Global North and South divide.

Chen comments, “The song ‘Contraband’ is about the thirty-nine Vietnamese migrants who were suffocated in a lorry trying to come over to England. It was such a tragedy, but it was blink and you miss it; news today and gone tomorrow.

“I was born in London, but my family are from Malaysia, which is historically a poor country,” he continues. “There’s such a juxtaposition when I go back there. Here in the West, generally, people are often so comfortable. The only access that some people have to extreme poverty and violence is online.”

In His Blood was recorded at Holy Mountain Studios in Hackney with Stanley Gravett, who Brodsky and Chen agree was crucial to the finished product. “This was the first time we’ve had any external help with arrangements which has been really good,” notes Brodsky. “He was super invested in the record and helped us to unify everything. I’m really proud of how it sounds.”

For the album’s eye-catching cover, the band wanted the viewer to feel as though they’d just stumbled upon a crime scene. It was shot in an abandoned building in the middle of a cemetery in London, by photographer Oscar Foster-Kane.

“Relentless, pummeling death metal.” – Metal Injection

“The recording is beefy and heavy with atmosphere, the riffs are mean, and the real world is cold.”  – Decibel Magazine

“The second preview from their forthcoming In His Blood album begins as a full-frontal assault of concussive beatwork and bone-chipping guitar trills, both of which absolutely bending our spines backwards. By the time they hit the mid-song thrash section, we’ve been beaten into bloody submission. The melodically downbeat finale is the knockout blow.” – Revolver on “Stress Positions”

” VACUOUS may seem at first like many of the top-tier practitioners, but it’s where they swim upstream that reveals their most interesting aspects. In His Blood is lined with all sorts of grisly viscera, but there’s way more goth, post-punk, and hardcore here than simply another Autopsy clone. This may go down as an AOTY contender because of the creative juices here.” — New Noise Magazine

“This album has created a standard of originality against which death metal releases this year should be measured. It’s an example of how to be true to the spirit of the death metal genre without becoming a tribute band to your influences and is one of those albums you can let play on repeat for an entire afternoon.” –  No Clean Singing

“…some of death metal’s most intense and brutal mutations. Their sound is so powerful that it feels like it’s just waiting for the right moment to leap out from the speakers and attack.” – PopMatters

“London’s VACUOUS are low on frills and high on potency, specializing in the kind of sharpened-blade, straight-to-the-gut death metal that peers like Necrot have repeatedly proven that there’s still more depths to explore within this well-worn sound.” – Treble

“VACUOUS certainly don’t back away from death metal’s normal shock and gore, but they’re about so much more, which you can hear on “In His Blood.” Yes, the skullduggery is apparent, but so are the various tones and sounds that separate them from the bulk of the sub-genre’s pack, making their work less indulgent in horrors and more interested in creating a dynamic, yet dark experience. This is a great step forward for the band that is aiming to keep death metal not only relevant but increasingly more creative.” – Meat Mead Metal Pick Of The Week

“VACUOUS have made an album for those who think blunt force trauma sounds like a nice evening.” – Everything Is Noise

VACUOUS:
Michael Brodsky – guitar
Jo Chen – vocals
Max Southall – drums
Ezra Harkin – guitar
Zak Mullard – bass

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