
RWAKE will take to the stage this June on four special shows including a performance at this yearâs edition of Mutants Of The Monster Fest on their home turf of Little Rock, Arkansas as well as a show supporting Acid Bath and Weedeater in St. Petersburg, Florida. More dates will be announced in the weeks to come.
RWAKE Live:
6/06/2025 Mutants Of The Monster Fest â Little Rock, AR [tickets]
6/26/2025 Saturn â Birmingham, AL w/ Hexxus, Hiraeth [tickets]
6/28/2025 Jannus Live â St. Petersburg, FL w/ Acid Bath, Weedeater [tickets]
6/29/2025 The Earl â Atlanta, GA w/ Canopy, Insomniac [tickets]
RWAKEÂ released their long-awaited new full-length, The Return Of Magik, last month on Relapse Records.
Years have now fed into an album that reaches into a swirling, cosmic unknown â RWAKE has grown, and the perspective of the material has shifted accordingly. Overwhelming at its peak and haunting during moments of respite, The Return Of Magik is undeniably RWAKE. Every movement feels like an emotionally engrossing journey. Arrangements carefully and thoughtfully built in layers over a period of years lend mystique and a feeling of building toward a cathartic release. There is no box into which the material might fit other than one with the bandâs name on it.
Stream RWAKEâs The Return Of Magik HERE. Watch the bandâs previously released video for âThe Return Of Magikâ HERE.
The Return Of Magik is available on CD, LP, and digital formats. Find ordering options at Relapse.com HERE.
Recorded in early 2024 at East End Sounds in Hensley, Arkansas, The Return Of Magik introduces RWAKEâs guitarists John Judkins and Austin Sublett with a barrage of shredded solos suited to the angular, progressive metal riffing of the albumâs most jaw-clenching moments, while presenting a through-line of molten, immersive ambience. The opener âYou Swore Weâd Always Be Togetherâ â already a fixture of live sets â and the expansive sprawl of âDistant Constellations And The Psychedelic Incarcerationâ move with cruelty and grace alike. Foreboding, syncopated riffs sway against Moog-driven space and guttural bellows. The Return Of Magikâs songs stand alone as individualized post-metallic blends of genres.
RWAKE remains dually fronted: Chris Terryâs powerful vocals lay against Brittany Fugateâs visceral screams. Jeff Morgan returns to the drum kit, in addition to acoustic guitar and 12-string bass. Bassist/noisemaker Reid Raley, Sublett, and Judkins set an instrumental backdrop that is vast and engrossing in itself â quiet, contemplative passages often explode into gut-wrenching, doomed out distortions. The Return Of Magik, which features artwork by Loni Gillum of Minervaâs Menagerie and RWAKE, burns brighter and beyond the ferocity of the bandâs already storied catalog.
Although the Magik may be bleak, the manner in which RWAKE revels in it can only be called a celebration.
ââ¦a deeply engrossing emotional journey that balances earthy, cosmic and hellacious atmospheres with pristine acoustic guitar inter play, outsized doomy riffs and exquisite psychedelic sections that burst into cathartic release.â â Decibel Magazine
âReturn Of Magik takes the bandâs spellcraft into both more intimate and more cosmic places while they summon the monster riffs that have been crushing underground audiences for decades.â â Nashville Scene
âItâs hard for a band to come back after such a long time with something that lives up to the myth, but theyâve done it.â â Stereogum
âAs psychedelic and out-there as it gets, RWAKE never loses sight of their roots here. This is clearly the work of the same band that turned heads all those years ago, but the additional years of experience and more adventurous sonic palette make it their most immersive record yet.â â The Quietus
“One of the most righteous and creative heavy bands of the last 30 years have woken from their slumber and delivered one of the strongest and most satisfying albums of their career… An incredible piece of work.” â Â Blabbermouth
âThe Return Of Magik is as advertised. It brings back RWAKEâs otherworldly daydream essence and makes you wonder how you lived without it for the past 13 years.â â Popmatters
“Monoliths like the 11-plus-minute title track prove fairly decisively that RWAKEâs uniquely graceful approach to a decidedly less-than-graceful style of metal remains as potent as ever, but thereâs even more subdued beauty throughout The Return Of Magik, with passages that delve into folk and blues, prog and psychedelia, spoken word and even a touch of ambient Americana with its recurring use of slide guitar. It all just works together so beautifully, a mystical and melancholy return that was more than worth the wait.” â Treble ‘Zine
“For longtime fans, this is unmistakably RWAKE â uncompromising, exploratory, and relentlessly evocative. Yet, The Return Of Magik feels like something more than just the next chapter. Itâs a statement of endurance and evolution, a fearless reawakening that drags the bandâs legacy into bold, uncharted territory. As RWAKE revels in the darkness, weâre left staring into the abyss, transfixed by its terrible beauty.” â Antihero
“…an album of expansive highs and crushing lows. RWAKE are happy to combine powerful doom drenched distortion and carefully crafted moments of immersive grace.” â Distorted Sound
“â¦this is such a good comeback from the band after over 10 years and doesnât feel like they missed a beat. While itâs RWAKE certainly in their comfort zone, the execution of their sound throughout this album is up there with similar bands of their ilk, such as Amenra and Cult Of Luna…” â Toilet Ov Hell
ââ¦a striking comeback for RWAKE that⦠will be recognizable to those who followed their course the better part of a generation ago while introducing new listeners to the fold, most of all by highlighting who RWAKE are in its uncompromising, forward-thinking, distinctive craft. Itâs a cohesive, engrossing, wholly realized work thatâs an intangible meld of different players, ideas, styles, and times, so if you want to sum that up by calling it âmagicâ â or âmagik,â as it were â then fair enough.â â The Obelisk
“It’s the return of Magik, in a crystal palace.” â Sputnik Music
âThe music on this album (and any RWAKE album for that matter) feels ceremonial, almost religious. The tribal drumming of Jeff Morgan⦠adds to that feeling. Sludge metal album of the year. Nothing can top thisâ â Metal Storm
âThey were always a curious ever-shifting beast, one with mystic themes and rawly organic production values, and this is still part of what theyâre all about. With The Return Of Magik weâre getting pieces which communicate more directly, speak with intricately stated rasp and stammering enthusiasm to the point that this reappearance feels evolved, moreso than what theyâd left us with back in 2011 with Rest.â â Mystification âZine
âRWAKE have made an ambitious comeback⦠embracing both the bandâs roots and their drive for new forms of expression and sounds, all demonstrated in an exciting release. Anyone who doesnât shy away from modern sludge and is keen to broaden their musical horizons and challenge themselves should give this album at least a spin.â â Metal.de
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The post RWAKE Confirms Special Live Dates This June; The Return Of Magik Full-Length Out Now On Relapse Records first appeared on Earsplit Compound.
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