Rating: 9.5 / 10 Stars
KISS is: KISS is Paul Stanley (guitar/vocals), Gene Simmons (bass/vocals), Tommy Thayer (lead guitar/vocals), Eric Singer (drums/vocals)
REVIEW – ‘Monster,’ the twentieth studio album by KISS, it is a robust statement of the band’s enduring legacy. It was recorded using old analog equipment to capture the raw essence of their sound, aiming for a slightly heavier feel than their previous work, ‘Sonic Boom.’ The album harks back to the vibe of earlier KISS albums like ‘Destroyer’ and ‘Revenge,’ combining heavy, melodic, and epic elements to create something powerful and distinctive.
In ‘Monster,’ KISS’s dynamic guitar work and powerful vocal performances are at the forefront, offering a quintessential experience of the band’s signature style. The album’s guitar work, characterized by both raw energy and intricate solos, creates a powerful sonic landscape. This, combined with commanding vocal performances, encapsulates the band’s ability to merge raw power with melodic rock elements. Each track is a testament to their musicianship, balancing hard-hitting rock anthems with catchy, melodious tunes. This fusion not only appeals to long-time fans but also resonates with new listeners, showcasing KISS’s enduring appeal in the rock genre.
The album opens with “Hell or Hallelujah,” a high-energy anthem featuring Paul Stanley’s powerful vocals and guitar riffs. Gene Simmons leads “Wall of Sound” with deep, resonant vocals over a bass-heavy track, while Tommy Thayer’s intricate guitar solos shine in “Freak,” complemented by Eric Singer’s dynamic drumming. “Back to the Stone Age” and “Shout Mercy” display robust instrumental work and catchy choruses, highlighting Stanley’s vibrant energy and Thayer’s guitar flair.
“Long Way Down” offers a more introspective vibe, showcasing Stanley’s vocal and songwriting range, with Simmons providing subtle yet effective basslines. In contrast, “Eat Your Heart Out” is a classic KISS singalong, combining playful lyrics with strong instrumentation. Simmons’s gritty performance in “The Devil Is Me” creates a dark atmosphere, while Thayer’s standout performance in “Outta This World” adds a fresh dimension to the album. Singer’s lead vocals in “All for the Love of Rock & Roll” bring a different texture and infectious enthusiasm.
The album also features a harmonious dual vocal effort from Stanley and Simmons in “Take Me Down Below,” backed by Thayer’s sharp guitar work. The closing track, “Last Chance,” encapsulates the album’s spirit, showcasing the band’s cohesive power and rock prowess. Overall, ‘Monster’ is a celebration of KISS’s legacy, blending their traditional sound with contemporary elements, and solidifying their place in rock history.
‘Monster’ is a celebration of KISS’s legacy, highlighting each member’s distinct contributions. Stanley’s vocals and guitar work are as vibrant as ever, while Simmons’s basslines and unique vocal style add depth to the tracks. Thayer proves his mettle as a guitarist, delivering solos that are both technically impressive and emotionally resonant. Singer’s drumming is powerful, providing a solid backbone to the album.
In essence, ‘Monster’ is not just another addition to KISS’s discography; it’s a bold statement of their continued relevance in the rock scene. It’s a blend of the band’s traditional sound with contemporary elements, appealing to fans across generations. With ‘Monster,’ KISS reaffirms their status as one of rock’s most enduring and dynamic bands.
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